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Showing posts from December, 2017

practical editing task

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Editing Task

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This is the opening scene is from the movie Apocalypse Now. This scene shows how to artfully use dissolve cuts to make an elegant scene. The scene first starts a  fade  into a seemingly peaceful scene of trees. Slowly the music begins to kick in with the sound of helicopter blades (a helicopter flies in front of the shot to further solidify this assumption) in the background and a green mist growing within the shot. The scenery then begins to change suddenly and begins to fill with explosions, this shows audiences the true chaos of war and how destructive it can be. The camera then begins to slowly  pan  to the right as the smog and smoke begins to thicken, this increase in smoke helps create a very effective  transition  for a  dissolved transition  of a man, presumably apart of the war that is commencing, having flashbacks of what he had seen during battle. After this first  dissolve cut , most of the scenes that follow are  dissolve cuts  that are layered on top of each other, t

Migrain: Genre Work

Genre 1) What example is provided of why visual iconographies are so important? The two examples given are Star Trek and Star Wars are used to demonstrate that although the movies share the same genre (Sci-fi) they use the genres iconography in a different way. Showing that movies within the same genre can use the same cliche's while still being different  2) What examples are provided of the importance of narrative in identifying genre? The examples provided are sit-coms and soap operas. It shows that the visible and audio effects are not the only ways to define a genre, the way the narrative is told can also define the genre. It demonstrates the power the telling of a narrative can have. 3) What is the difference between character representation in action movies and disaster movies? In action movies, the protagonist is often shown as a "lone wolf" to demonstrate that he/she is independent and works alone. However, in disaster movies, the protagonist